headphonehippo

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TROPHY CASE

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Please help a Kiwi film I worked on get to the USA, Reddit, you are possibly our only hope by headphonehippoin movies

[–]headphonehippo[S] 1 point2 points ago

Oh sweet, I haven't been back here for a while. Looks like they made their goals for a US release!

Blacklight reactive super macro, need help filtering out the blue glow that saturates everything by qwertycoderin postprocessing

[–]headphonehippo 1 point2 points ago

If you're using photoshop, learn how to use Actions palette.. I think that's what it's called. That is what you would use to apply the same process to hundreds of pictures, along with batch processing. Searching for "batch process Photoshop" in google should yield good results. Replace "Photoshop" with "Gimp" for the free alternative

How deep can I get with MIDI mapping? by natetetin abletonlive

[–]headphonehippo 0 points1 point ago

Also check out MIDI-OX if you're on Windows. It comes with MIDI-Yoke, a set of virtual midi ports, and has comprehensive routing and mapping tools. So you could do exactly what you suggest in your example, tell it to map the velocity range of a note to a CC of your choice, which gets routed to a particular virtual midi port, which is set as a control input port in live.

impulses by dbews... me. I'm going to perform this so I wanted to know what r/ableton thought. (I played the drums in one take.) by cran-applein ableton

[–]headphonehippo 1 point2 points ago

nice, reminds me of terry riley minimalism. I'm guessing you played the drumtrack and the based everything around that? how do you perform live?

are there any good free sound libraries out there to practice with?? by kingsneezyyin AudioPost

[–]headphonehippo 0 points1 point ago

Check out hissandaroar.com, there's a bunch of free sample packs of nice raw material to work with

Please help a Kiwi film I worked on get to the USA, Reddit, you are possibly our only hope by headphonehippoin movies

[–]headphonehippo[S] 1 point2 points ago

This is not the title you might have been looking for

Please help a Kiwi film I worked on get to the USA, Reddit, you are possibly our only hope by headphonehippoin movies

[–]headphonehippo[S] 2 points3 points ago

That's a pretty hard one to answer, whether studio funding is easy to come by. I couldn't even begin to guess because I've only ever worked on sound post side of things.

Please help a Kiwi film I worked on get to the USA, Reddit, you are possibly our only hope by headphonehippoin movies

[–]headphonehippo[S] 2 points3 points ago

I was but a cog in the soundpost machine, but thought I'd try help these guys by posting it here.

Waterfalls... by Kraden09in AudioPost

[–]headphonehippo 0 points1 point ago

Much of the work I do involves removing various kinds of noise from dialog recordings. There are many denoise tools but the best results so far have been from isotope rx, and in much higher price range, cedar. Using RX in standalone mode, you can isolate frequency bands to denoise, for example, to leave the important parts of the voice untouched

Going to my first interview with a studio by roryd883in audioengineering

[–]headphonehippo 0 points1 point ago

If you buy an I-Lok, you can try protools 10 out for free (assuming you have a pc with audio interface) Not saying you should rush into trying to master it before the interview though, that may be counterproductive. Well done on getting an interview!

Editing BWFs in software that doesn't support the broadcast wave standard? by Gwohlin audioengineering

[–]headphonehippo 2 points3 points ago*

Does converting to aiff and back to wav drop the metadata? Could try something like winlame to do batch conversions. If soundforge is zeroing out data though it might pay to switch to something else. (first thing in morning mistake edit)

Is there any way to fix this? by fenderampegin audioengineering

[–]headphonehippo 1 point2 points ago

Its either distorting the microphone, or the camera's gain was too high and caused a limiter to kick in, or both. Either way the audio is too munched.

Had a quick go at de-clipping but its not straight-up digital clipping so doesnt help fix the distortion. Someone might be able to improve it slightly by spending time with an EQ.

If its a promo, better to get the band to re-record it multitrack if they haven't yet, or even at the next gig grabbing a mix of nice stereo recording of room (eg. zoom recorder) combined with direct from the desk recording.

Monitor Headphones by AllenMarshallin audioengineering

[–]headphonehippo 1 point2 points ago

I have a pair of Sennheiser HD650's and love them. They're open design so they do let in a bit of surrounding ambience and are really comfortable on long stretches. They're not the best for mixing on but are great for editing, hearing detail.